I started my professional life in the field of images through photography. I soon adapted to the large workflow and team communication, as I worked as a professional photographer on important projects. This allowed me to become a finalist for awards such as the Cristina Tavares and to exhibit my work in Brazil, Lisbon, and New York.

Nevertheless, I gradually transitioned from still images to moving images, focusing on video. This shift changed not only my perspective on imagery but also my approach to work, allowing me to explore both film photography and the enhancements that post-production color grading brings to the final video result.

I became a colorist almost simultaneously with my decision to start as a director of photography (D.O.P.) because I realized that combining these two roles brings incomparable aesthetic benefits when considered together. I am someone who is constantly engaging in new refresher courses or challenging projects. I am always seeking improvements and striving to surpass myself to deliver the best results.

My approach to audiovisual productions is based on the idea that the feelings, forms, and expressions created by various professionals, who have dedicated hours of their lives to planning, recording, and realizing a product, must be respected and valued. Audiovisual products are works built by various minds in pursuit of a single result. Therefore, the more up-to-date and refined my technique, the better the execution will be.